So, this one will be entertaining for some of my friends at Grasse Institute of Perfumery I think, as they have been part of the process and we have had some real laughs while I describe ideas and blush regularly… One of our projects during the course has been to develop a fougère. Fougère means “like fern” and is a fragrance family, the name comes from the perfume Fougère Royale by Houbigant. A fougère has an aromatic top note accord with lavender and a base with oakmoss and coumarine. An aromatic fougère also has additional herbs, spice and wood. Our fougère base that we worked with in class had a lot of vetiver and bergamot. We all made the same base and then added notes individually so we ended up with eleven very different fougères in the end. We have then reworked and developed our creations during the course of the next days to find the exact right proportions.
Fougères are normally fragrances for men and I took this opportunity to experiment with a note that I have been thinking about for many months after I smelled it in a shop in Stockholm last year – fennel. Fennel has a certain kind of spicy, green, somewhat affirmative, freshness that I find very elegant. So I was very happy to see that we did indeed have fennel in the lab and that after an initial short analysis, with the help of scent strips, it did feel right. I decided to create a brief for myself that was to create a fougère that would be the olfactory reflection of a man that I would like to get to know. In order for this brief to be of help I needed to define this man and some characteristics a bit more, so that I could find the corresponding notes and olfactory details and effects that would be a correct portrait.
So, this is how I described this man. He is a man with a past, but with a young mind. Classic look with a twist. A liberal mind that likes to explore. He likes to read, both lines and space between them. For this fragrance I picture him on a Sunday afternoon in a big city like London or New York (he could be from anywhere though) reading the newspaper supplements. He has done some sort of sports activity before so he has just showered and changed his clothes which means he is fresh but with an increased pulse and blood flow. It is an intelligent person, intellectual, a home-brewed mix of books and life experience. Sometimes maybe just a little bit irritating when he gets into an encyclopedic mood (I have a weakness for men who know a lot about a lot). It is a men that knows social rules and how to use them to navigate through different contexts, polite and with poise, extrovert but not desperate for attention. He has high-quality leather or suede shoes that are not new (important detail) and he will sigh out a heavy burden in a moment and then, just as naturally, burst out in childish laughter the next. This man's rainbow has many colors and you will never entirely know him but he is good company for all sorts of challenges and adventures. There are many other aspects and details of course but these are a few examples just to give you an idea.
Now the translation to notes. The raw materials I first used apart from the fougère base were: nutmeg, clove, fennel – and then a tobacco, vanilla, vanillin accord. The fougère base gave the freshness of the body and mind of this man, but also the classic aspect. The tobacco represented his experience and the casualness of an old leather reading chair. The perfect tux with a cigar. The spices were to give a freshness that is a bit coarse and with integrity. The vanilla gave the kind of softness that symbolizes the relaxed intimate feeling of a Sunday when there is no professional pressure, but also a warm heart with genuine intentions. It was important for me to use natural vanilla as this raw material has that combination of softness and unruly dynamic. Soft but not sweet. Smooth but not really trying to please. Sensual in an innate unpolished way, like an equatorial night sky surrounded by sounds of nature kind of way.
When my first formula had gone through maceration and the raw materials found their place I felt that the feeling of the fragrance was a bit too soft and light. It was too babyface. I needed more hairy chest kind of thing, maybe also some closeness to nature, a primitive (primordial?) aspect. So I increased the vetiver, the tobacco and added a difficult one – birch tar. Tiny tiny drops, one drop too much and the formula would be destroyed. It would go completely wood chopper groin sweat and lose the pocket square. Then I left the fragrance to go through maceration again and smelled it after a few hours. Perfect. I really like it myself which is an essential aspect for this particular idea of course. Now I just want to find the gentleman that is the real life reflection of this fragrance. If you have an idea of who it might be, do let me know.